Love that Experimental Micro-Psychokinesis
In the last edition of the Wholphin DVD series, there was a Select Your Intention experiment using random event generation. Data collected went to Psyleron.com – and what a world this is, one which sets out to prove that our intention does actually affect events.
PEAR research, experimental micro-psychokinesis, find out more at the Psyleron site, and on the stripmind video channel. Videos there explore the work of the Princeton Engineering Anomalies Research laboratory and also are part of a new consciousness course – so I wonder how much longer they will be on Blip.tv for free. Catch them while you can.
Resonance was such a strong understanding of the poets down through the ages, and the effects of powerful intention are seen all through our physical world. It’s great that people are quantifying some of what we have always known.
Interestingly, the video DVD experiment asks us to not only affect the baseline, high, low random event generator readout, but – here’s the kick – our present consciousness could affect it in the past. Time travel by quantum attention? Trippy stuff!
Rainy Saturday, Late November
Saturday afternoon, continuous misty rain.
This month has been a whirlwind of transformative experiences: don’t get me started. I’ll just focus on the first thoughts at hand, today, now, at this time.
Open Source Spirit.org has finally got started in earnest, with lots of interviews and posting. In this past month I’ve also got a client’s new site up and running, and helped them set up some initial social media presence, too.
Devendra Banhart is playing now as I sip French Rose tea. I’m wondering what to do about some old blogs that I had started and have now left behind. I need to bring these orphans in out of the cold. But for now, I’ll write up this moment.
The forced narcissus are starting, just, to bloom. I’m enjoying reading Malevich and Film, just finished Powe’s Mystic Trudeau.
I’m reminded that some of the Warhol Screen tests will be shown here next year (PUSH festival) Must remember to get the tix before the last minute and they’re sold out! When will these Screen Tests be put out on DVD so I can have them in my collection?
About Teatime: cup from NOOD (on sale), oakleaf teapot (made in Italy) was a gift, loose tea from Granville Island Tea Company, the cup with the tea: a few tea leaves, a little milk.
I realized this morning that the mind, my brain I mean, seeks deep image satisfaction.
I had a big dose of it this morning, making images to (maybe) use in a video to introduce OpenSourceSpirit.org. Here’s a little of what I was doing:
Mindworld Overload
Mindworld overload and altered sensory threshold!
In an intensity of activity on Twitter Monday morning, I was involved in a kind of flood or overflow of following and followers. A Twitter surge. It fried my brain, I was too electrified – all at once too many new follows. I couldn’t digest it all.
Who are these people? Why are we doing this? What’s it for? I asked myself. And for a time, wished to undo it. Just gathering people for no reason is like asking strangers to a party, or like broadcasting on the radio to unseen listeners to a call-in show. Was I an attention-seeking twitterslut?
I realized I’d wanted to decide who, or choose sympatico people in the niche, etc. But why not be open to whoever, whatever, wherever? What’s the harm in being open?
This is the whole idea in the world of social media. How the personal is social media actually, and how social is this network? It is many to many, one to one and one to many all rolled into one.
Maxed out from this bolus of people, I found myself seeking solace in the relatively private world of friendfeed. Set up an account. Maybe there I could have some control! But after sweeping through my Facebook contacts to see who’s on friendfeed, I just gave up for a time, unplugged. It was like reading a phone book. Why do that?
Oh, just one more thing, I thought, and I opened Finnegan’s Wake to find a quote to post to the Open Source Spirit twitterfeed. The book opened to me, the words all (get this!) made sense! I danced with it, mind alert and light. It was never more clear.
The poetic mind was somehow triggered into integrative activity by the factual overload. Social media pushed to its extreme yields the poetic being. At least in me! “HCE” Joyce had said, Here Comes Everybody!
Warning: don’t turn your back on the ocean. Face it so you can tell when the big waves are coming and ride with them. When your back is turned, they can slap you down. (Or you don’t have to even go to the beach, of course.)
Video Talks from James K-M’s Opening
Here are the remarks from James’ Cave Paintings exhibition opening at SFU Teck Gallery in Vancouver from Bill Jeffries, James K-M, and Oldhands.
Harvest and Moon
A Cornfield by Moonlight with the Evening Star by Samuel Palmer. Watercolour with bodycolour and pen and ink c.1830.
On the Lines
This is what they’re talking about
A body as large as Mount Meru
Can the heart survive the procedure?
Experiment after experiment
Produced only cast off Frankensteins
Our heart blood incompatible: wrong type
Now, remembering Whitman’s lines
On the body electric
I lay on the power lines
And fuse through the grid
Light zaps white
Nobody home anymore
Centers everywhere, no boundaries.
James K-M’s Upcoming Show
James K-M: Cave Paintings, September 2 – November 22, 2008.
Opening: Friday, September 5, 8 – 9 pm. Open daily during campus hours.
Please join us for the exhibition opening at the Teck Gallery, SFU Vancouver Campus, 515 West Hastings St, Vancouver, BC. The artist will be in attendance. Opening remarks at 8:30 pm.
Artist talk: Monday, September 15, 7pm
The artist will present a talk titled “Is There Anything Old Here?”
Room 1600, SFU Vancouver campus
Phone: 778-782-4266 Web: sfu.ca/gallery Email: gallery@sfu.ca
James K-M is a Vancouver-based painter who has, since 1983, created a vast series of hard-edge, optically charged works. These paintings reference primordial languages, the linkages between aural and visual phenomena, as well Op Art—a key historical avant-garde movement.
The question of how the social is contained within abstraction has been raised in many arenas over the twenty-five years since the first of these paintings were made. This exhibition addresses that societal role, while querying the rationales that continue to exist for new work in hard-edge abstraction. – Bill Jeffries, August, 2008
Publication: This exhibition is accompanied by a 24-page catalogue with essays by Eric McLuhan and Bill Jeffries.
















